CD 1 01 Dancing To The Rhythm (07m 07s) 02 Love's In Need Of Love Today (06m 02s) 03 Master Blaster (Jammin') (03m 36s) 04 Stevie Ray Blues (02m 28s) 05 Higher Ground (03m 59s) 06 Rocket Love (04m 47s) 07 Stay Gold (04m 21s) 08 Ribbon In The Sky (08m 37s) 09 Pastime Paradise (03m 22s) 10 If It's Magic (03m 34s) 11 Ms. Little Ones (04m 17s) 12 Village Ghetto Land (03m 26s) 13 Tomorrow Robins Will Sing (04m 20s) CD 2 01 Overjoyed (03m 59s) 02 My Cherie Amour (03m 20s) 03 Signed, Sealed, Delivered, I'm Yours (02m 45s) 04 Living For The City (04m 26s) 05 Sir Duke (02m 46s) 06 I Wish (04m 06s) 07 You Are The Sunshine Of My Life (02m 21s) 08 Superstition (05m 37s) 09 I Just Called To Say I Love You (04m 39s) 10 For Your Love (05m 06s) 11 Another Star (05m 55s) Descarga.

1. Grimes Visions Lyrics

Download This List. Download the entire Grimes County TX list of Nonprofit Organizations to your computer/laptop/phone.

CD 1 01 Superstition (04m 27s) 02 You Haven't Done Nothin' (03m 29s) 03 Living For The City (07m 25s) 04 Front Line (05m 56s) 05 Superwoman (Where Were You When I Needed You) (07m 58s) 06 Send One Your Love (04m 01s) 07 You Are The Sunshine Of My Life (02m 50s) 08 Ribbon In The Sky (05m 37s) CD 2 01 Higher Ground (03m 47s) 02 Sir Duke (03m 52s) 03 Master Blaster (Jammin') (05m 07s) 04 Boogie On Reggae Woman (04m 55s) 05 That Girl (05m 14s) 06 I Wish (04m 13s) 07 Isn't She Lovely (06m 33s) 08 Do I Do (10m 29s) Descarga. CD 1 01 Fingertips Pts.

01 A Place in the Sun (02m 47s) 02 Blowin' in the Wind (03m 03s) 03 I Was Made to Love Her (02m 34s) 04 I'm Wondering (02m 51s) 05 Thank You Love (02m 51s) 06 Uptight (Everything's Allright) (02m 50s) 07 Music Talk (02m 49s) 08 Be Cool, Be Calm (02m 38s) 09 Travelin' Man (02m 42s) 10 Fingertips (06m 19s) 11 Workout Stevie, Workout (02m 40s) 12 Contract on Love (02m 00s) 13 I Call it Pretty Music (02m 26s) 14 Smile (03m 20s) 15 Put on a Happy Face (02m 38s) 16 With a Song in My Heart (03m 12s) Descarga. 01 Fingertips (01m 54s) 02 Fine Young Thing (05m 23s) 03 Superstition (06m 21s) 04 Signed Sealed Delivered (03m 42s) 05 Feeding Off The Love Of The Land (05m 53s) 06 My Mother's Eyes (00m 55s) 07 Drown In My Own Tears (01m 03s) 08 I Was Made To Love Her (01m 02s) 09 It Ain't No Use (01m 22s) 10 Uptight (01m 05s) 11 Uptight (04m 12s) 12 Each Other's Throats (03m 11s) 13 Gotta Have You (04m 26s) 14 For Your Love (04m 02s) 15 Summer Night (00m 55s) 16 St. Louis Woman (05m 47s) 17 Let The Good Times Roll (W-ray Charles) (02m 54s) 18 Stubborn Kind Of Fellow (Marvin Gaye Tribute) (03m 01s) 19 I'm The One Who Loves You (Curtis Mayfield Tribute) (03m 57s) 20 Dream Come True (Barry Gordy Tribute) (04m 14s) 21 If I Ever Had A Chance To Love You (Maya Angelou Tribute) (04m 55s) Descarga. 01 Higher Ground (Eric Clapton) (04m 03s) 02 Superstition (Glenn Lewis) (04m 12s) 03 That Girl (Joe, f.

Cheeks) (05m 05s) 04 Master Blaster (Stephen Marley) (05m 08s) 05 Another Star (Caron Wheeler) (04m 07s) 06 Overjoyed (Mary J. Blige) (03m 45s) 07 You Will Know (Angie Stone) (05m 21s) 08 Send One Your Love (Brian McKnight) (04m 19s) 09 All In Love Is Fair (Marc Anthony) (03m 43s) 10 Rocket Love (Black Coffey) (03m 57s) 11 Visions (Musiq) (05m 34s) 12 Love's In Need Of Love Today (Dave Hollister) (06m 48s) 13 I Don't Know Why I Love You (John Mellencamp) (03m 26s) 14 Wonderful (India.Arie) (05m 27s) Descarga.

. ' Released: January 9, 2012 Visions is the third studio album by Canadian singer and songwriter, released on January 31, 2012. Her first since signing with, the album was recorded entirely on 's software in Grimes' apartment over a three-week period. It was by Grimes and her manager Sebastian Cowan at their La Brique Studio Space.

Visions was streamed on the website a week before it was released in the United States. In November 2012, with the announcement that Visions was named album of the year by record shops and Resident, two exclusive bonus discs were made available with any purchase of the album in each shop, featuring remixes and rare tracks.

The album is also labeled as bringing the of to international popularity. I was stuck in this horrible cycle of not living anywhere, just not having any concrete sense of well-being or stability or home. That was really interesting, but that fuelled a lot of the emotional momentum of the album. – Claire Boucher released her debut album as Grimes, on Canadian record label in January 2010, followed by in September, when she began publicly promoting Grimes and started touring beyond Montreal. In 2011, she released a split with fellow based musician, and, beginning in May, opened for Swedish singer on her North American Tour, and the following August her debut album was re-released through No Pain in Pop Records, in CD and vinyl format for the first time. In May, Boucher performed early versions of new songs 'Genesis' and 'Nightmusic' at Festival Kinetik, and 'Be A Body' in July.

Growing frustrated with touring and a lack of stability in her life, Boucher began work on Visions in August 2011 over three weeks at her home in Montreal. While under a release deadline set before she had started the album by her then manager, she recorded the album at a 'psychotic pace' to meet the deadline.

Most songs on the album were finished in a single day, without many demos being created beforehand. She described the process as being 'equally enjoyable and tortuous'. She created the album hoping to 'clear her mental slate. Overriding everything I’d done previously, too' stating the album 'is a pretty good representation of the beginning of the future.” Visions was recorded using 's, primarily using a keyboard, vocal pedals, and a sampler. The album was by Boucher and Sebastian Cowan at their La Brique Studio Space.

She signed with record label in January 2012. Release and promotion. Grimes performing at in 2012. Visions was released on January 31, 2012 in Canada, and on February 21, 2012 in the US, UK and Europe. Worldwide releases followed throughout March. The album was streamed on the website a week before it was released in the United States. The Canadian vinyl version of the album featured a different track listing; it featured 9 songs, including two previously unreleased song 'Life After Death' and 'Ambrosia'.

'Oblivion' was released onto the in October 2011 as a promotional single, along with the announcement of the album. 'Genesis' was issued as the lead single on January 9, 2012. The album debuted at No.

98 on the albums chart on its first week of release, with around 5,000 sold in the United States. It also debuted at No. 8 on the chart. As of December 2015, the album has sold 110,000 copies in the US.

It has sold over 150,000 units. In 2012 it was awarded a silver certification from the which indicated sales of at least 20,000 copies throughout Europe. In November 2012, with the announcement that Visions was named album of the year by record shops and Resident, two exclusive bonus discs were made available with any purchase of the album in each shop, featuring remixes and rare tracks. Visuals The music video for 'Oblivion', directed by Emily Kai Bock, was shot in at and at 's, during a game and a rally. The video debuted on March 2, 2012, and shows Grimes amongst shirtless, as well as in a men's locker room surrounded by athletes.

'Art gives me an outlet where I can be aggressive in a world where I usually can't be, and part of it was asserting this abstract female power in these male-dominated arenas—the video is somewhat about objectifying men. Not in a disrespectful way, though', Grimes explained. In an interview with, she revealed that the song is about 'going into this masculine world that is associated with, but presented as something really welcoming and nice. The song's sort of about being—I was assaulted and I had a really hard time engaging in any types of relationship with men, because I was just so terrified of men for a while.' The video for 'Nightmusic' was directed by John Londono and premiered on May 10, 2012. It takes place in a 'barren, greywashed' landscape, and features Grimes wearing one of the ' rings' she designed in collaboration with Montreal-based jeweler and sculptor Morgan Black. The self-directed video for 'Genesis', which was released as the album's lead single on January 9, 2012, premiered on August 22, 2012.

It was filmed in and co-stars rapper and stripper, whom Grimes describes as 'a very contemporary muse'. In the video, Grimes is seen alongside a group of friends while driving an in the desert, holding an in the back of a limousine, and posing in the woods.

She said of the concept of the video: 'It's loosely based on this painting by my favorite painter, called. I wanted to play with Medieval/Catholic imagery. I was raised in a Catholic household and went to a Catholic school, and my childhood brain perceived medieval Catholicism as an action movie: There's this crazy omnipresent guy who can destroy you at any moment.' Critical reception Professional ratings Aggregate scores Source Rating 80/100 Review scores Source Rating A− B+ 8/10 8.5/10 7/10 Visions received positive reviews from music critics. At, which assigns a rating out of 100 to reviews from mainstream critics, the album received an average score of 80, based on 42 reviews, which indicates 'critical acclaim'. Lindsay Zoladz of awarded the album a 'Best New Music' designation, claiming it 'showcases a streamlined aesthetic, resulting in a statement that feels focused, cohesive, and assured. It's simple enough to leave room for Grimes to grow, but this thing is so compulsively listenable it's hard to come away from it wanting much more'.

's Evan Rytlewski commented that on Visions, Grimes 'continues her march toward accessibility, rendering hazy, quixotic sketches into tangible, -heavy electro-pop'. Jon Caramanica of hailed Visions as 'one of the most impressive albums of the year so far'. Rebecca Nicholson of described Visions as a 'smart, funny album, and it's almost impossible not to dance to it'.

's Matthew Bennett wrote, 'With 4AD's renewed vigor in all affairs electronique and Boucher's coherent elevation in both song quality and hook there'll be no stopping this creative, sensual explosion of humanity called Grimes.' Benjamin Boles of called the album 'richly textured and inventive', noting that 'while Visions is unmistakably 2012 sonically in its references to and, it also fits remarkably gracefully into 4AD's impressive back catalogue of '.

Matt James of praised the album as 'an absolute blast' and opined, 'Sure, it could have done without some of the interludes. but its overall sense of ambition is intoxicating. Visions ' rebellious contrariness to evade classification is part of the design and certainly part of the charm'. Heather Phares of concluded, 'Fresh and surprisingly accessible despite its quirks, Visions is bewitching'. Eric Harvey of wrote, 'The pervasive sense on Visions is of a young woman carefully pushing out of her own introversion, which makes the moments where she sings from the gut instead of the throat. or strives for human-on-human sensuality.

all the more thrilling'. Harvey continued, 'Boucher's talent lies in the balance of exploiting her gifts and leveraging what's come before her, but judiciously'. Kevin Liedel of viewed the album as 'a flawed but intimate glimpse into the fantasies of its creator, and while it might not act as a springboard to greater fame for Grimes, it's just as satisfying to hear her take her bedroom music into a darkened basement, away from the prying world.' However, Luke Winkie of felt that Visions 'isn't as much of an evolution as it is an elongation; Boucher is still making warped, sparsely-populated electro-pop, and the potential still outweighs the content', adding that the album 'stands as a half-formed concept'. Reyan Ali of stated that 'the ever-fascinating Boucher clearly has unusual ideas sloshing around her skull', but ultimately criticized the album as 'unnecessarily oblique, listlessly long (48 minutes!), and painfully shapeless'. 's expressed that 'Grimes isn't spooky enough to be 'ghostly,' and not substantial enough to hold your attention.'

Accolades AllMusic proclaimed Visions the best album of 2012 and stated, 'On Visions, Claire Boucher honed the mix of little-girl-lost vocals and dark synth-scapes she'd forged on her first two Grimes albums, and, into something just as unique, but far catchier.' The Guardian named it the second best album of 2012, calling it 'a masterpiece in gonzo pop that is weird, original and derivative at the same time'. The ranked the album at number two on its 50 Best Albums of 2012 list.

The album appeared at number five on Clash 's list of The Top 40 Albums of 2012, and the magazine referred to Grimes as a 'creative, sensual explosion of humanity'. Pitchfork placed the album at number six on its list of The 50 Best Albums of 2012 and praised it as 'a triumphant meeting of human and computer, an album that blows the traditions of both pop and experimental music to pieces and glues them back together in gorgeous, entrancing ways'. Included the album at number 11 on its list of The 75 Best Albums of 2012, concluding, 'Astoundingly catchy, occasionally haunting, and frequently brilliant, Visions is top-rate art and pop in equal measure, and deserves to be talked about for years to come'. British magazine ranked Visions the 26th best album of 2012 and commented it 'moved beyond the circumstantially character of her early offerings Geidi Primes and Halfaxa for a profoundly inventive and just plain weird take on electro-pop. While the shifty rhythms can get a bit repetitive, they're usually voiced differently, and they're always paired with otherworldly synth-work that darts into uneasy, industrial territory'.

Rolling Stone placed Visions at number 33 on its 50 Best Albums of 2012 list, noting the album 'uses extremism, medieval chants, sugar-crusted melodies and her own sky-high voice to rethink pop music'. The album was listed on 's The 50 Best Albums of 2012 at number 50, and the magazine wrote, 'With its constantly shifting tonal landscapes and non-standard structures, it's the kind of music that's exceptionally hard to peg on paper, but that never stops Visions ' tracks from looping in your head long after it spins to a close'. 'Oblivion' was ranked the best song of 2012 by both Pitchfork and PopMatters; the former called it 'beautifully fragmented' and stating it 'sounds both chilly and machine-like but also radiates human warmth and imperfection', while the later opined that 'this nouveau triumph is surely the album's calling card, the definitive encapsulation of everything that makes the record (not to mention the musician behind it) so beguiling to listen to'. The NME named 'Oblivion' and 'Genesis' the sixth and 16th best tracks of 2012, respectively. Rolling Stone included 'Oblivion' at number 28 on its list of the 50 Best Songs of 2012, writing that on the song, Grimes 'drops sugar-dust vocals over a thwunking, sounding perfectly dreamy until you listen to the words: 'I never walk alone after dark./Someone could break your neck/Coming up behind you and you'd never have a clue.' The catchiness only makes it creepier'. Visions was shortlisted for the on July 17, 2012, but lost out to 's.

The album won at the. Track listing All tracks written. Visions — Standard version No. Title Length 1.

'Infinite ❤ Without Fulfillment' 1:36 2. 'Eight' 1:48 5. 'Circumambient' 3:43 6. 'Vowels = Space and Time' 4:21 7.

'Visiting Statue' 1:59 8. 'Be a Body ' 4:20 9. 'Colour of Moonlight (Antiochus)' (featuring ) 4:00 10. 'Symphonia IX (My Wait Is U)' 4:53 11. 'Nightmusic' (featuring ) 5:03 12.

'Skin' 6:09 13. 'Know the Way (Outro)' 1:45 Total length: 48:04 Visions — bonus track No. Title Length 14. 'Christmas Song' (featuring Jay Worthy) 2:58 Visions — bonus track No.

Title Length 14. 'Angel' 1:22 Visions — Japanese version (bonus tracks) No. Title Length 14.

'Life After Death' 2:48 15. 'Ambrosia' 3:31 Visions — Canadian 12' vinyl version No. Title Length 1. 'Oblivion' 4:12 2. 'Eight' 1:48 3.

'Circumambient' 3:43 4. 'Life After Death' 2:48 5. 'Nightmusic' (featuring Majical Cloudz) 5:03 6. 'Ambrosia' 3:31 7. 'Symphonia IX (My Wait Is U)' 4:51 8. 'Genesis' 5:15 9. 'Skin' 6:09 Total length: 38:22 Visions — version (disc 2) No.

Title Length 1. 'Ambrosia' 3:33 2. 'Christmas Song' (featuring Jay Worthy) 3:00 3.

'Genesis' (Skip Remix) 4:01 4. 'Song for Ric' (featuring Majical Cloudz) 3:25 5. 'Be a Body' (Baarsden Remix) 3:25 Visions — Resident version (disc 2) No. Title Length 1. 'Angel' 1:22 2. 'Life After Death' 2:48 3.

'Oblivion' (Baarsden Remix) 3:25 4. 'Be a Body' (Tokori Remix) 4:55 Personnel Credits adapted from the liner notes of Visions. – vocals, production, poetry. – poetry. Jasper Baydala – layout. Sebastian Cowan – mastering, mixing. Mark Khair – alien head design Charts.

^ Hopper, Jessica (December 6, 2012). Retrieved October 27, 2015.

^ Boles, Benjamin (February 16–23, 2012). Retrieved October 27, 2015. ^ James, Matt (February 21, 2012). Retrieved October 27, 2015. Derdeyn, Stuart (February 15, 2012).

Retrieved February 20, 2012. March 13, 2012. Retrieved September 28, 2018. Lau, Melody (February 13, 2012). Postmedia Network.

Retrieved October 28, 2015. Flood, Kathleen (February 1, 2012).

The Creators Project. Retrieved October 28, 2015. Kagan, Eleanor (February 12, 2012). Retrieved February 20, 2012.

Grimes Visions Lyrics

November 30, 2012. Retrieved December 16, 2012. Olbrich, Suze (July 10, 2013). Retrieved November 23, 2016. Christiansen, Lisa. BBC Radio 3 (live radio broadcast).

Retrieved June 7, 2011. Lucas, John (February 16, 2012). Retrieved June 17, 2012. Riewer, Brian (12 July 2011). Sun on the Sand.

Archived from on 15 July 2012. Retrieved 19 February 2012. April 28, 2012. Retrieved September 28, 2015. Lau, Melody (February 13, 2012). Postmedia Network. Retrieved October 28, 2015.

Archived from on May 2, 2012. Retrieved June 26, 2012. Battan, Carrie (February 16, 2012). Retrieved October 27, 2015. Flood, Kathleen (February 1, 2012). The Creators Project.

Retrieved October 28, 2015. Battan, Carrie (4 January 2012).

Retrieved 28 September 2018. Cite error: The named reference hmvcanada was invoked but never defined (see the ). Kagan, Eleanor (February 12, 2012). Retrieved February 20, 2012.

Retrieved September 29, 2018. March 10, 2012. March 10, 2012. Hits Daily Double. HITS Digital Ventures. Archived from on December 1, 2015.

^ Dombal, Ryan (March 5, 2012). Retrieved January 6, 2013. Govind, Jacinta (April 16, 2012). Retrieved January 6, 2013. Aaron, Charles (December 9, 2012).

Retrieved October 27, 2015. ^ Dobbins, Amanda (March 2, 2012).

Retrieved January 6, 2013. March 2, 2012. Retrieved January 6, 2013. Battan, Carrie (May 10, 2012). Retrieved May 11, 2012.

Pelly, Jenn (April 27, 2012). Retrieved January 6, 2013. Retrieved February 22, 2012. August 22, 2012. Retrieved January 6, 2013. Battan, Carrie (August 27, 2012). Retrieved January 6, 2013.

Retrieved March 1, 2012. ^ Phares, Heather. Retrieved March 1, 2012. ^ Rytlewski, Evan (February 21, 2012).

Retrieved October 28, 2015. February 24, 2012.

Retrieved October 28, 2015. ^ Nicholson, Rebecca (March 8, 2012). The Guardian. Retrieved October 27, 2015. 'Grimes: Visions'. Elan, Priya (March 12, 2012).

From the original on January 20, 2016. Retrieved October 28, 2015.

^ Zoladz, Lindsay (February 17, 2012). Retrieved February 21, 2012. 'Grimes: Visions'. ^ (February 28, 2012). Retrieved March 1, 2012. ^ Harvey, Eric (February 22, 2012). Retrieved October 27, 2015.

Caramanica, Jon (February 20, 2012). Retrieved February 21, 2012. Bennett, Matthew (March 7, 2012). Retrieved March 8, 2012. Liedel, Kevin (February 17, 2012). Retrieved October 28, 2015.

Winkie, Luke (January 30, 2012). Retrieved August 7, 2012. Ali, Reyan (January 31, 2012). Retrieved March 13, 2012.

All Media Network. Archived from on January 5, 2013. Retrieved January 5, 2013. Iqbal, Nosheen (December 13, 2012).

The Guardian. Retrieved October 27, 2015. Amazing activation number. Lewis, Luke (November 20, 2012). Retrieved October 28, 2015. Bennett, Matthew (December 14, 2012).

Retrieved December 17, 2012. Battan, Carrie (December 20, 2012). Retrieved December 27, 2012. Ramirez, AJ (December 10, 2012).

Retrieved October 28, 2015. The Vinyl Factory. December 3, 2012. Retrieved December 17, 2012. Rolling Stone. Wenner Media. December 5, 2012.

Retrieved December 17, 2012. Kane, Tyler (November 26, 2012). Retrieved December 17, 2012. Richardson, Mark (December 17, 2012). Retrieved December 27, 2012.

Ramirez, AJ (December 3, 2012). Retrieved October 28, 2015. Lewis, Luke (November 20, 2012). Retrieved October 28, 2015. Rolling Stone.

Wenner Media. December 5, 2012. Retrieved December 23, 2012. Retrieved October 28, 2015.

Stevenson, Jane (April 21, 2013). Retrieved May 14, 2013. ITunes Store (US). Retrieved October 28, 2015. Retrieved March 1, 2012. Retrieved October 27, 2015.

Retrieved March 1, 2012. Visions (CD liner notes). Retrieved August 16, 2014. (in Dutch). Retrieved 21 March 2012. (in French).

Retrieved 23 March 2012. Retrieved 21 March 2012. (select 'Albums' tab). Retrieved October 27, 2015. Official Charts Company.

March 18–24, 2012. Retrieved October 27, 2015. Retrieved May 14, 2013. Prometheus Global Media. Retrieved May 14, 2013.

Prometheus Global Media. Retrieved May 14, 2013. Prometheus Global Media. Retrieved May 14, 2013. Prometheus Global Media.

Retrieved October 27, 2015. Retrieved October 27, 2015. Retrieved March 1, 2012.

Archived from on February 3, 2014. Retrieved June 10, 2012. (in German). Retrieved March 1, 2012. Retrieved October 27, 2015.

Archived from on May 27, 2012. Retrieved March 1, 2012. (in French). Retrieved June 10, 2012. External links. at.

at.